What critics wrote

Womanhood

The duet of Yana and Clara has gained greater dramaturgical coherence in its black box version. The enclosed space contributes to this as well, allowing — unlike an open-air performance — the use of lighting design to shape the space and guide the audience’s attention. This gives the choreography a new depth and atmosphere. The new ending is complemented by spoken word delivered by the musician, addressing the challenges of womanhood, the desire to escape them, but also the determination to face them again and again.

Womanhood

Against the backdrop of a long, heavily graffitied brick wall, punctuated by the sound of passing trains on the opposite tracks, the premiere of two Brazilian–Czech co-productions takes place on a temporary stage. What I see on stage is expressed with complete commitment; the dancers first wear their femininity playfully, and later as a sincere, sisterly expression of solidarity.

Womanhood

The contrast between two distinct dance personalities stands out — the delicate, elegant Yana in a green costume and the lively, temperamental Clara, whose expression continually reveals an untamed wildness. The musical backdrop is enriched by live violin passages from Jana Kubánková, which deepen the emotional connection and create intimate moments of closeness.

Womanhood

Mutual connection, cooperation and excellent coordination of two bodies that merge into one, only to later function separately — each on its own, or even in opposition to one another. We observe the search for trust, helping the weaker, protecting them, finding support in the stronger or experiencing disappointment and the abandonment of a loved one.

Solo

Her dance, choice of expressive means, and overall professional execution of the theme were of a high standard. She was able to engage both a professional Bulgarian audience and the general public. I can recommend Yana Reutova as a professional dancer and choreographer, as well as an engaging personality capable of communicating in English, Czech, and Ukrainian.

Together Alone

The second part, with its intimate setting and interaction with the audience, invites reflection on personal and collective memories. The stories of family and past happiness create a bittersweet atmosphere that lingers long after the performance ends.

Together Alone

Yana Reutova, as both a dancer and choreographer, comes from a distinct creative background, which lends her work a unique artistic signature. Her choreographies are characterised by a modern aesthetic that emphasises the inner experience of emotions — expressed not through overt intensity, but rather through subtle, introspective, and deeply felt movement.

Together Alone

Together Alone I – Lost is a quintet of five Ukrainian dancers, created directly in response to the events of the past year. It portrays the uncertainty and fears that come with living as a refugee in a foreign country, and alongside feelings of loneliness and belonging, it also searches for glimmers of hope.